Ridley Scott’s new film Exodus: Gods and Kings features Moses, the Pharaoh, hundreds of thousands of slaves making their way across the floor of the Red Sea, all 10 plagues, the burning bush, and even the angel of Yahweh in the form of a petulant 11-year-old boy with a British accent.
And yet, the movie is spiritually flat, as though its makers had read the biblical story but understood precious little of its theological poetry.